This is part of the Taiwanese American Art Council’s (TAAC) Eco Art on Island, a series of exhibitions in which artists, curators, medical professionals, and environmental experts respond to island and terrestrial ecologies. The exhibitions will be running through early November in House 17 on Governors Island and is free to the public.

Eco Art on Island, in association with Tenri Culture Institute, invites artists to observe, experience, and respond to island ecologies through cross-disciplinary creative practice, recognizing that no one is external to the social, cultural, and ecological systems shaping today’s climate crisis.

Recently I met with artists Marisa De Las Nieves Delgado and Jia-Jen Lin for interesting conversations about their exhibitions.

Marisa De Las Nieves Delgado
How Antarctica Chose Her

In Antarctica, there are no worlds to divide us, as it is covered by the Antarctica Treaty, an agreement shared between all participating countries which states that this land will only be used for scientific research and exploration.

Throughout history, only been 11 people have been born on the Antarctica continent, the coldest and most inhospitable place on earth. In 1978, Marisa became the first female to born on the Argentine military base of Esperanza where her father was stationed as a scientific team assistant on the Antarctica peninsula. It was his third station to Antarctica, and one where Marisa’s mother reluctantly agreed to accompany him.

Today Marisa travels the world and speaks about how being born at the bottom of the earth has shaped her life philosophy and her relationship to fragile ecosystems. Even in a seemingly uninhabitable and harsh place, life finds a way to flourish.

Facilities in Antarctica
Marisa told me that in 1978, there was only one building on base which served as a medical facility staffed by one doctor. In 1979, a fire destroyed that building. It has since been rebuilt, and there are now several medical facilities with doctors and nurses, a church, a post office, a museum, a school, and even a radio station in Esperanza, which is the only operating radio station on the entire continent.

Antarctica as Art
Marisa explained the relationship between art and Antarctica as the search for truth in silence. Art is a place where we are forced to confront ourselves. Antarctica is like standing in front of a blank canvas, where we confront the infinite — just as when we are standing at the edge of the world in front of the ever-expansive polar landscape. Both challenge us to find beauty where others see emptiness. To find connection where others see isolation — just as the severe winter Antarctica storms sculpt ice into ever-changing forms.

Marisa has expressed that her life has been a bridge between these two worlds – the silence of ice and the voice of art. Through her work, she tries to bring the invisible stories of Antarctica to life.

Preserving the Heartbeat of Antarctica
Together with the ten other Antarctica-born people, Marisa created and is the president/founder of the organization Native Antarcticans. Their mission is five-fold:

– To protect the symbolic power of Antarctica as a beacon of peace

– To remind the world that people have lived and loved in desolate beauty 

-To inspire new generations that Antarctica is a vital part of our shared story, a place that exemplifies when nations choose cooperation over conflict

-To show that in Antarctica the impossible is possible, through education, culture projects, art exhibitions, and environmental initiatives

-To show a place with no borders can unite a world divided

To stand for the preservation of the continent’s natural purity, and that a fragile earth must be cared with the same tenderness that brought life to this distant frozen placeAntarctica is The Heartbeat of our Planet
Antarctica has been ravaged by climate change in recent decades like many other places in the world, particularly at the northern and southern extremes of the world. Marisa wants the world to know that Antarctica is the heartbeat of our planet, with its glaciers holding the majority of earth’s fresh water. Its cold currents regulate the oceans. Its storms shape the weather patterns of the earth. When Antarctica suffers, the whole world does.

To follow the work Marisa De Las Nieves Delgado: Facebook: Native_Antarcticans, Instagram: @native_antarticans,
Website: taac-us.org

Jia-Jen Lin
Interdisciplinary Artist

Jia-Jen Lin is a Taiwanese artist born in Taichung. She was traditionally trained as a painter and holds a BFA from the National Taiwan University, before later receiving her MFA in Sculpture, Installation, and Multimedia from the School of the Museum of Fine Arts at Tufts University in Boston. She moved to New York City in 2007.
As an artist specializing in an interdisciplinary approach, Jia-Jen has drawn upon her diverse training and has carved out a unique career by creating installations spanning several media, including sculpture, photography, video, sound, text, and performance art. Her practice explores human experiences and conditions. She creates visual presentations to investigate the human body and its surroundings as a reflection of our psyche.

Since the start of the pandemic, Jia-Jen has been deeply disturbed by the destruction and social violence that has plagued New York City. With climate change, social movements like Black Lives Matter, and Asian hate crimes all happening at the same time, she was compelled to express her feelings through her art. This includes employing the concept of “landscape” visualized as a battleground and extension of the human body, while exploring the concept of “post-landscape” where nature, human activities, digital media, and materiality intersect.

Treading on Thin Ice
These concurrent events beginning in 2020 inspired Jia-Jen to create a series called Treading on Thin Ice, her collection contemplating human conditions under progressive catastrophes resulting from social issues and climate change. This deep reflection, inquisitiveness and exploration into her own interdisciplinary work is what has guided Jia-Jen to pursue her two fascinating trips to the Arctic. These were important art research trips in 2022 and 2024 to the world’s northernmost inhabited lands of Svalbard, which is an isolated Norwegian island archipelago hundreds of miles north of the Arctic Circle.

Both trips were made possible by the Arctic Circle, a program bringing artists, scientists, environmentalists, writers, and performers together on the same boat to sail around Svalbard. However, her first scheduled trip to Svalbard was postponed in October 2020 due to Covid-19 travel restrictions. Meanwhile, Jia-Jen continued to work on her concept of Treading on Thin Ice.

In 2022, she secured a new art show in Miami which was her first Treading on Thin Ice exhibition. She presented a man-made environment which juxtaposed the familiar and unfamiliar, including a backyard-like installation resembling sculptures of concrete pavers and artificial grass. During this time, Jia-Jen also collaborated with laboratory scientists and actors to create natural and artificial landscapes which culminated in her video of a scenic panorama captured on Mars!

Breaking New Ground
Jia-Jen finally received clearance to sail with her group around Svalbard after her Miami show in 2022. Thirty to forty scientists, artists, actors, writers, and performers lived in close quarters on a large sailboat for two weeks. They started out in the central west near the town of Longyearbyen and set sail to uninhabited Bear Island, the northernmost island on the archipelago.

On her first visit to Svalbard, during hiking trips while on polar in-field research, the group was required to carry a rifle at all times. This is by law, as on Svalbard it is a common occurrence to see polar bears. Based on this amazing trip Jia-Jen was able to create a three-channel generative visual called Collapsing Landscape, which employed video, sound, generative visual, sculpture, and text to reimagine where we, as humans, stand amid our changing land. It was shown around Taipei in 2023 as part of the Video Bi-Annual.

Her second trip in 2024 was a vastly different experience; it was a Special Circumnavigation Expedition. She was on a large ship with over 100 people onboard. Borne from this Svalbard trip Jia-Jin, in collaboration with a writer and music composer, produced a virtual mixed reality work in 2025 which showed in Berlin. It was centered about the trash in Svalbard!

Read this article on the Art Journey to the Extremes of the Earth where I originally wrote it in The Village View:

From South Pole to North Pole: An Art Journey to the Extremes of the Earth

To view Jia-Jin’s work, visit Governors Island House 17. Website: taac-us.org

Kaju Roberto is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify

The post From South Pole to North Pole: An Art Journey to the Extremes of the Earth appeared first on Rad Jet's Historic Jazz Walking Tours.

Deng is an extraordinary Taiwanese embroidery artist (also known as a “fiber artist”) who combines oil-painting, embroidery, floral-based oil paintings, and soft sculptures.

She uses dyed embroidery and stitched soft sculpture to forge a language of cultural geography and history. Rooted in Taiwan’s cultural landscape and informed by field research and residencies across the world, her work draws on indigenous motifs, food culture, and deep historical truth to create textile narratives of place and belonging. Through hand-dyed fabrics and thread, Deng maps a visual world shaped by ecological observation and cultural circulation. Her “quiet feminism” emerges through material intimacy — reclaiming fiber art as a vital medium for self-expression and placing it firmly within the mainstream of contemporary art history.

Background and Identity to Her Art
Deng was born in Dongzhu, Hualian, in 1970 to an aboriginal mother and Taiwanese father. Her grandfather is Hakkanese. She loved graffiti since she was a child and began oil painiting at the age of 10. Her father did not openly support her artistic career at first, but has come around to silently supporting her. Deng thanked her father and sister for their sponsorship, her mother for her “spiritual protection from Heaven,” and the art partners she has worked with over the years.

She graduated in 1999 from the National School of Fine Arts (École Nationale Supérieure des Beaux-Arts) in Paris, France. Her early work featured oil paintings with mixed media, grounded in everyday life on traditional Taiwanese floral fabrics. 

Her recent works focus on Taiwan history, aboriginal culture, and ethnic integration. She has incorporated her love of the outdoors through mountain climbing and discovery, by blending these elements of life exploration into her tapestries and indigo dyeing map creations.

Although her most notable large scale works focused on field research and landscape-based mapping, such as Globalization at Table, Kuchapongone, and Cloud Leopard go Home, her soft sculpture series stitched representations center on food. With food soft sculptures, Deng approaches her art as a carrier of memory, emotion, and identity.

International Residencies
Since 2016, Deng has been an artist in residence in Pingtung (Taiwan), Pune (India), Los Angeles, and New York City. Currently, she is completing her residency in New York at Governors Island at House 17 with the Taiwanese American Arts Council under its founding Executive Director Luchia Meihua Lee.

The exhibition at Tenri Cultural Institute included a 30 minute documentary film showing Deng creating her work in each city between 2016 thru 2024, as well as traveling and adapting to life and new friendships within those cities during each residency.

Fiber Work on Governors Island: The Taiwan Map
Deng is currently composing and weaving her outdoor latest fiber art sculpture on Governors Island. She is making steady progress on her woven sculpture Taiwan Map, a large-scale fiber art piece that captures the cultural and geographical essence of Taiwan. Through intricate weaving and layered textures, Deng transforms traditional materials into a poetic cartography of memory, identity, and place. In June, the completed work was unveiled to the public on Governors Island as part of the ECO ART ON ISLAND program.

Final Thoughts on the Artist
I really admire Deng for both her incredible quality and prolific body of work she has been creating in the realm of the embedded stitch. It is highly labor intensive. Everything in her art is grown naturally. The dyes are made from all natural products grown in Taiwan. The fibers are whittled by hand from plant leaves which are gathered fresh from nature.

Watching her documentary film you will see how much work goes into the preparation of the raw materials even before the creation of the artwork begins. Deng does almost all of it herself, and it is both astounding and exhausting to watch.

Read this article on the Taiwanese great fiber artist Wen-Jen Deng where I originally wrote it in The Village View:

Wen-Jen Deng: Her Amazing Fiber Art Solo Exhibition at Tenri Culture Institute

Listen for our latest Talking Taiwan interview with amazing fiber artist Wen-Jen Deng. For more information:

tenri.org/gallery/index.shtml

taac-us.org talkingtaiwan.com

Kaju Roberto is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify.

The post Wen-Jen Deng: Her Amazing Fiber Art Solo Exhibition at Tenri Culture Institute appeared first on Rad Jet's Historic Jazz Walking Tours.

Emceed by three-time Asian literary award winner Ed Lin, this well-attended event featured live jazz music entertainment, catered Taiwanese American food and beverage, and a raffle of six outstanding prizes, while featuring the NYC premiere of the award-winning and longest running Taiwan-related podcast, Talking Taiwan, as a LIVE podcast!

A 2021 Golden Crane Award winning podcast, Talking Taiwan was also shortlisted in the category of Moment of Visionary Leadership by being chosen as one of 15 entries out of over 700 entries from 34 countries for the 2024 International Women’s Podcast Awards.

At the event, Talking Taiwan’s host and co-producer Felicia Lin conducted four live interviews with prominent Taiwanese American guests. This was an unusual divergence from its typical programming, which for more than 12 years has been predominantly online, where the two-person team conducted over 311 remote interviews with Taiwan diaspora and other interesting people from all over the world who share their interesting Taiwan-related stories.

Full disclosure: as the co-producer, editor, and sound engineer of Talking Taiwan, I am the other person of this two-person team.

A Musical Performance by Peter Lin’s AAPI Jazz Collective
Taiwanese American trombonist Peter Lin started the event by leading his quintet in a performance of classic Taiwanese jazz and folk songs, including Longing for the Spring Breeze, Moon Represents My Heart, Forgotten Time, and Tian Mi Mi. The band ended their first set with their own swinging version of Wife, and an authentic version of Rosemary, both sung by special guest, the great baritone Ting Yi-Chen.

Meanwhile, the popular Greenwich Village based Taiwanese restaurant 886 catered all the food for the event, while DAE Tea, a tea company for five generations from Taiwan operating since 1918, provided delicious and authentic freshly brewed Taiwan teas.

The Main Event: The Talking Taiwan LIVE podcast
Lin’s first guest was Taiwanese actor and comedian Esther Chen, who is known for her NYC standup act and appearances on Seinfeld. Notably, last year she posted several disturbing Instagram stories of crowd instances where censorship of Taiwan’s representation was demonstrated by derogatory signs inside the Paris stadium while she was a spectator at the 2024 Summer Olympics.

For decades, the International Olympic committee has not allowed Taiwan to call itself by its actual name, as it does not officially recognize Taiwan as a separate nation, forcing Taiwan to compete under the name “Chinese Taipei,” even though Taiwan has owned its sovereignty and conducted itself as a vibrant democracy since 1996.  Lin and Chen spoke about those jarring visual signs and disturbing audio events that took place inside the stadium, but their conversation was mostly filled with light-hearted and amusing commentary.

Next up was Thomas Duh, the co-owner of DAE Tea, a business that has been in his family for five generations. The American brand DAE (standing for “tea”) is better known as Hwa Gung Tea in Taiwan. He discussed the long family history of the brand, and where it is heading in the future.

Lin’s third interview was with renowned Taiwanese American visual artist and painter Kaarina Chu Mackenzie. She is widely known for her vast works encompassing the immersive Night Market exhibit in Taipei. Chu Mackenzie displays her works in many galleries and exhibits throughout the U.S. and Taiwan.

Lin’s final guest was Taiwanese American Jonny Lee, the current president of TAP-NY, which is the Taiwanese American Professionals – NY Chapter. They bring together a large network of Taiwanese American young professionals throughout the U.S. and host many networking events about New York City.

A Second Set Surprise!
My favorite part of the evening was definitely the AAPI Jazz Collective’s second set, where yours truly performed five songs with the band, including the Sinatra Basie classic, Fly Me to the Moon, Crowd Lu’s Fishes, and two originals.

For me personally, the highlight of the set was my performance of the Taiwanese banger Island’s Sunrise by the Taiwanese rock band FireEx, a song that became the inspiring anthem for the 2014 Sunflower Movement in Taipei.  The most enthralling part of all of this was singing this famous song in Taiwanese – as I do not speak the language! I had to learn this song phonetically, and apparently judging by the reaction of the mostly Taiwanese-speaking crowd, I was thrilled to see my performance was approved with high marks!

What a fun event this was! The night turned out to be such a raving success, we are seriously considering this to be an annual event. If you are curious about the Talking Taiwan podcast, visit talkingtaiwan.com

Read this article on Talking Taiwan’s 2025 Fundraising Gala where I originally wrote it in The Village View:

Talking Taiwan’s 2025 Fundraising Gala at Eichholtz

Kaju Roberto is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify

The post Talking Taiwan’s 2025 Fundraising Gala at Eichholtz appeared first on Rad Jet's Historic Jazz Walking Tours.

The troupe’s latest incarnation “Islanders 4” celebrated and performed the event Compound Playground at Pretty Garden located on 99 Canal Street on November 2nd. The key eight principals of “Islanders 4” are: Chieh the choreographer/dancer, Yo-yo the violinist, Sabina the pianist, Leo the host/linguist (also singer/composer), Bing-Bing, the actor, Fang, the actor/singer, Yohan the photographer, and Grant, the cinematographer.

The Compound Playground
The event’s Compound Playground concept is a mix of live musical performances and multi-media exhibitions. For the latter the focus was on short films created by the troupe that featured abstract dance, a violinist fluttering upon urban rooftop scenes, the interaction of these subjects and how this relates and affects environmental concerns. Two key principals, Chieh and Yo-yo, were featured in the film. Actors also performed during an apartment scene. The live concert performance, which happened after the exhibition, consisted of Yo-yo, Sabina, Leo, and two special guests: a cellist, and a jazz singer.

Three Original Compositions
The first original piece was composed by the pianist Sabina to express her journey of motherhood called Brown Bear, Brown Bear, What Do You See? which she wrote about her young son Ryan’s favorite book. The song is an allegory of a child’s vivid imagination, where numerous animals are represented by colors in the story. It culminated into the students in a classroom all seeing the “brown bear.”

The second song, also composed by Sabina, was called Sleepless, and this piano composition starts with a more upbeat jazzier feel, and later segues during the bridge into avant-garde classical, then back to jazz.

The third song, Curry Rice, was composed by the host Leo. He wrote this while living in New York City when he was homesick during Lunar New Year. He was missing his mother, still living in Taiwan, who used to cook this dish for him. Leo wrote and sang the lyrics in Taiwanese.

An End of Year Celebration
Compound Playground was an event filled with fun, music, and art. Special Taiwanese dishes and soups, beers and various local wines were also available.

If you’d like to learn more about Islanders 4, view their schedule, or book any of them for a private event, visit this link below.

instagram.com/compoundplayground

Read this article where I originally wrote it in The Village View:

The Islanders

Kaju Roberto is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify

The post The Islanders: A Troupe of Taiwanese American Actors, Musicians, and Performing Artists appeared first on Rad Jet's Historic Jazz Walking Tours.

Through its evocative lens, the film chronicles and examines the presidency of Tsai Ing-wen, Taiwan’s first female president and events that happened during her tenure from 2016 – 2023.

Invisible Nation is a deeply penetrating film that shines a light on the spirit and resilience of Taiwan’s democracy in the face of an escalating military threat from China. It portrays President Tsai Ing-wen as an exceptionally smart, wise and tough leader. Unfortunately, it also reinforces the dread many of us feel towards the future of Taiwan as an independent nation.

The film’s length is 85 minutes and there are interviews from key Taiwan political figures and advocates including President Tsai Ing-Wen, Chu Chen, Yu-jie Chen, Bi-Khim Hsiao (Taiwan’s current vice-president), Freddy Lim, Audrey Tang, and Michelle Kuo.

According to IMDB, Invisible Nation gets an 8.4/10 rating.

So far, the film has been nominated for nine film awards, twice winning the 2024 Sun Valley Film Festival Award for One in a Million documentary, and the 2023 Middleburg Film Festival Audience Award.

Attending the First Screening

As host and producer of the longest running Taiwan-related podcast, my partner Felicia Lin and I were invited to attend the debut film screening as part of a larger Taiwanese group at the Woodstock Film Festival. That was a day of 8.65” record-breaking torrential rains in Central Park. We all rode up together in a chartered bus during the morning hours. Conditions on the New York State Thruway were quite treacherous.

What Inspired the Director to Create this Film?

On opening day we met director Vanessa Hope whose life changed in 1996. Hope was living in Taiwan from 1995-1996 when she was a PhD student taking part in a study abroad program during the inauguration of Lee Teng-hui, Taiwan’s first directly elected president.

1996 was indeed a very scary time to be in Taiwan. Scorched by Taiwan’s first direct presidential election and fledgling democracy, China attempted to intimidate Taiwan by firing missiles into the Taiwan Strait. Almost 30 years later, not much has changed.

After talking to her journalist friends, Hope became deeply concerned and obsessively curious about the future fate of Taiwan. She borrowed a newly purchased camera from her Chinese language teacher. Over that weekend, she was determined to film President Lee Teng-hui’s historical inauguration. She succeeded and her first short film embarked her on a film career.

Fast forward to 2016, Hope traveled back to Taiwan with an international delegation to witness the election of Taiwan’s first female president, Tsai Ing-wen. That’s when she came up with the idea to create a full-length feature film about Tsai Ing-wen’s presidency.

If anything, today the threat of a China invasion on Taiwan looms even larger. China President Xi Jinping has stated, “Taiwan is China,” and that reunification is inevitable. He also does not rule out using force. Taiwan is now once again a hot and important topic in international news ever since Russia invaded Ukraine in early 2022—a move which has only served to embolden China.

Challenges Making Invisible Nation

During our conversations with the director, we also talked about the challenges in making Invisible Nation and her personal motivations for making the film. Invisible Nation was filmed over a seven year period from 2016 thru 2023. This required an ongoing and highly detailed coordinated effort with the President and a great resolve by Hope and her team. They were given unprecedented access to Taiwan’s sitting head of state, which allowed them to investigate the election and Tsai Ing-Wen’s tenure.

This was not Hope’s first full length feature. Her first, All Eyes And Ears, examined relations between the U.S. and China through the stories of U.S. Ambassador to China Jon Huntsman, his adopted Chinese daughter Gracie Mei, and blind legal advocate Chen Guangcheng.

Invisible Nation is currently playing in select theaters around the U.S.

For more information, go to: https://invisiblenation.net.

Read this article where I originally wrote it in The Village View:

Invisible Nation: A Film That Chronicles Taiwan’s First Female President, Runs for One Week at the Quad Cinema

________________________________________________________________________________

KAJU ROBERTO is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify.

The post Invisible Nation: A Film That Chronicles Taiwan’s First Female President, Runs for One Week at the Quad Cinema appeared first on Rad Jet's Historic Jazz Walking Tours.

Luchia Meihua Lee is the founding Executive Director of the Taiwanese American Arts Council (TAAC) and the Chief Curator of the exhibition. Since 2014, TAAC has aimed to foster awareness of Taiwanese American Art within the broader community. They have sponsored many events and presented high quality programs in all disciplines of art, while encouraging cross-cultural exchange between Taiwanese Americans and others.

The exhibition will be open free to the public Monday-Thursday from 12-6 p.m. and Saturday from 12-3 p.m. The Institute is closed on Friday and Sunday.

A Cross-Cultural Exhibition of Contemporary Artworks

“Peoples’ Movements” is a cross-cultural exhibition which focuses on the art which embodies and has been borne from particular brave groups of people acting as a whole and taking a stand on contentious issues by refusing to compromise their statements or actions particularly related to corrupt governments and regimes.

This program involves artists’ works celebrating peoples’ political movements — largely youth-led — that took place around the world circa 2014.

TAAC has selected five Movements represented by these artists’ works: Taiwan’s Sunflower Movement, Hong Kong’s Umbrella Movement, the Arab Spring, the Chilean Winter, and the Ukrainian Euromaiden Movement. In the interest of space I will present only two movements in detail. I have provided links below for further information on all movements if you care to take a deeper dive.

Taiwan’s Sunflower Movement

In March 2014, students and other youth in Taipei occupied Taiwan’s legislative body in protest of the plan by the ruling government to strengthen trade ties with China.

Ten years ago, on the night of March 18, 2014, students and activists broke into Taiwan’s Legislative Yuan in an effort to block the passage of the Cross-Strait Service Trade Agreement between Taiwan and China.

The day before, then ruling government the Kuomintang (KMT) led by President Ma Ying-Jeou, had attempted to force passage of the trade agreement in the Legislative Yuan, without giving it a clause-by-clause review.

Those youth knew that a successful clandestine execution of such a plan by the KMT would lead to catastrophic future events that could eventually jeopardize Taiwan’s newfound fledgling democracy. The occupation of the Legislative Yuan lasted over 20 days and came to be known as the Sunflower Movement. In the end, the students and youth activists prevailed with overwhelming support, and a trade agreement between Taiwan and China was blocked.

Most significantly, not only had the Sunflower Movement been successful in blocking the proposed legislation, its byproduct had profound effects, which in time reversed the course of Taiwan’s foreign and domestic policy. The movement led many of its participants eventually to enter formal political life and thus rejuvenating Taiwan’s political culture.

Taiwanese pop punk group Fire EX.’s song Island’s Sunrise became the anthem of the movement.

Participating artists showcasing original works at the Tenri Cultural Institute that embody the indomitable spirit of Taiwan’s Sunflower Movement are:

Island Sunrise Team 島嶼天光團隊 (Portrait painting and video)

Tsung-Jung Liu 劉宗榮 (Paintings and archives)

Enbion Micah Aan 洪延平 (Photography)

Hsin Yi Liu 劉欣怡 (Paintings)

Chia H. Kuo 郭家瑄 (Sculpture)

Hong Kong’s Umbrella Movement

Taking place between September 26 and December 15, 2014, this movement led by Hong Kong youth was sparked by China’s proposed changes to Hong Kong’s electoral system – changes that the movement unsuccessfully opposed and were later imposed unilaterally by the government in Beijing.However, this movement was resurrected on its fifth anniversary in 2019 to protest the bill enabling extradition to China – and trial there – of residents of Hong Kong. Beijing eventually imposed this bill on Hong Kong, further eroding the special status of Hong Kong in violation of the 50-year special administrative status of Hong Kong negotiated by the United Kingdom and China in 1997. September of 2024 will mark the 10th anniversary of Hong Kong’s Umbrella Movement.The participating artist showcasing his original works at the Tenri Cultural Institute that embody Hong Kong’s Umbrella Movement is Kacey Wong (prints, video, helmet, cocktail sculpture)

Exhibition Summary and Links

The “Peoples’ Movements” Cross-Cultural Exhibition demonstrates intriguing installations that celebrate the artworks representing the spirit of youth-led popular movements of approximately 10 years vintage, thus simultaneously highlighting both the similarities and differences between them.

For further listening and reading on all five Movements and their historical impact, below are links:

• talkingtaiwan.com/fireex-10th-anniversary-sunflower-movement-sam-yang-tells-how-island-sunrise-became-its-anthem-ep-278/
• talkingtaiwan.com/eric-chang-on-the-unfolding-situation-at-the-legislative-yuan-during-the-sunflower-movement-ep-231/
• taac-us.org/upcoming-events
• tenri.org/gallery/index.shtml

Link to the Village View article:

“Peoples’ Movements”

KAJU ROBERTO is an accomplished musician, singer/ songwriter, journalist, and an award-winning producer. He is the artist Rad Jet on Spotify.

The post “Peoples’ Movements”: A Cross-Cultural Exhibition Showcasing the Contemporary Artworks of Solidarity and Self-Empowerment appeared first on Rad Jet's Historic Jazz Walking Tours.

This outdoor event which ran from 12 Noon to 5:00 pm celebrating the delicious food, vibrant spirit, and diverse music culture of Taiwan was a jubilant affair. It has been held annually in New York City near the end of May ever since 2002. This outdoor event which ran from 12 Noon to 5:00 pm celebrating the delicious food, vibrant spirit, and diverse music culture of Taiwan was a jubilant affair. It has been held annually in New York City near the end of May ever since 2002.

The Passport to Taiwan Festival is not only about Taiwanese music and food culture. This year it provided even more interesting content. Talking Taiwan,the longest running Taiwan-related podcast and Golden Crane Award winner made its debut there. Felicia Lin, its award-winning podcast host broadcasted a fun and interactive Talking Taiwan Live Stream all day long, while interviewing five notable Taiwan guests, and impromptu Taiwan-related enthusiasts who stopped by wanting to share their interesting Taiwan stories.

I had a chance to interview Felicia and talk to her about the significance of the event and a bit of Taiwan’s history. In full disclosure, I am the Executive Producer of Talking Taiwan.K: Can you tell me about the history and significance of the Passport to Taiwan?

The idea for an outdoor festival celebrating Taiwan dates back to 1999 when the U.S. Congress designated the second week of May Taiwanese American Heritage Week. But it wasn’t until 2002 that the first Passport to Taiwan was held, so it has been around for nearly two decades if you don’t count the pandemic.

Events like this are important, not just as a celebration of our culture and roots, but in the case of Taiwan, it’s especially important for our community’s representation, due Taiwan’s international isolation.

K: Tell me more about that.

F: How is it that Taiwan, with its effective early containment of COVID-19 (that made it a haven for COVID-refugees) has been blocked from joining the World Health Organization? And why is it that Taiwanese athletes have to compete under the name “Chinese Taipei” at the Olympics? It’s the same reason that Taiwan does not have a seat in the United Nations. The People’s Republic of China refuses to recognize Taiwan since it lays claim to Taiwan despite never having ruled it, not for one day.

China also forces countries to choose between having diplomatic relations with Beijing or Taipei. This is what happened recently when Taiwan lost Honduras as a diplomatic ally to China, leaving Taiwan with only 13 diplomatic allies.

K: What is the situation between Taiwan and China?

F: China’s President Xi Jinping has repeatedly stated that China will not renounce the use of force in seeking to reunify Taiwan with China. This is nothing new. During Taiwan’s first direct presidential elections in 1996 China lobbed ballistic missiles across the Taiwan Strait and now nearly three decades later, China sends planes on a daily basis into Taiwan’s ADIZ (air defense identification zone). The record stands at over 90 aircraft in one day.

Taiwan is now the most democratic nation and the first to legalize same sex marriage in Asia. Its path from authoritarianism to democracy was hard won after enduring 38 years of martial law (the second longest period in world history).
Peacefully safeguarding Taiwan’s democracy and human rights is a very real concern as the world witnesses Russia’s invasion of Ukraine and China’s President Xi Ji Ping publicly praising Russia’s President Vladimir Putin for his leadership.

K: What is the state of the U.S. Taiwan relations?

F: I’d say it’s very favorable. In August of 2022, then U.S. House Speaker Nancy Pelosi visited Taiwan and when Taiwan’s President Tsai Ing-wen visited the U.S. earlier this year she met with U.S. House Speaker Kevin McCarthy in April. According to 2022 data, the United States was Taiwan’s second-largest trading partner for goods, while Taiwan was the United States’ 10th-largest trading partner.

Taiwan most notably produces 90% of the world’s semiconductors which are used in most electronics, and TSMC, Taiwan’s largest producer of semiconductors, is building a plant in Arizona.

K: Is there anything else you’d like to add that we haven’t covered?

F: Aside from all of these geopolitical issues related to Taiwan, I do hope that people can get to know more about Taiwan through the vibrant stories and people connected to it, by listening to our podcast Talking Taiwan.Visit our website talkingtaiwan.com or you can find us on all the major podcasting platforms.

The Passport to Taiwan Festival in New York City’s Union Square is definitely a late Spring NYC Cultural Must-Experience Event!

To learn more, go to: https://p2tw.org/

Link to the Village View article: ​

Passport to Taiwan: More Than Just Food, Culture and Music

​​​Kaju Roberto is an accomplished musician, singer/ songwriter, journalist, and an award winning producer. He is the artist Rad Jet on Spotify. https://open.spotify.com/artist/32si7c4nk210HPuqbXvhJg

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